on 2019 movies

in the eyes of historians. In fact, every year my film reviews Allhave a theme. The theme of 2016 is "Historical Memory":"Outside this little universe, someone is looking at you coldly. Yourheroic deeds, your love for children, and your blood feud are all dust ofhistory." I gave "Romantic's Extinction" film of theyear-. The theme of 2017 is "The Illusion of Prosperity":"Understand the cruelty and cruelty of the world, but cherish its beauty,don't get trapped in your heart, don't be fooled by feelings, this is whatKurokai calls the highest secret." In the year of the year, I gave the"Demon Cat" movie of the year; the theme in 2018 was"realism": "A gentleman hurried past and turned a deaf ear tothe children's cry." I gave "I'm not the medicine god" "Lastyear's film of the year. This year, let's talk about "classidentity"-. In this era of stock games, everyone is a maskedclown. Everything has changed beyond recognition, everything has becomeclearer and deeper. "The Clown"

Todd Phillips' "The Clown" (Douban score 8.7) is a great politicalmetaphor movie. This movie has nothing to do with DC Heroes. This isnot to provide a hero and a hero of predecessors, but to tell a story about howthe social order collapsed.

The tempo, graphics, and soundtrack of the entire movie were first-rate, makinga billion dollars outside of the Chinese market alone. Joaquin Phoenix'sperformance was superb, showing a different clown. This clown is like themonologue of the protagonist Arthur in the movie: "I think my life is atragedy, but in fact it is a comedy." (Chaplin also said: "Life isnear It